Meet the Musicians

David Crowe

is an active performer in the Denver area. He is Principal Bass with  the Colorado ballet Orchestra, Opera Colorado, and the Boulder Philharmonic Orchestra. He is also a member of the Baroque Chamber Orchestra of Colorado, the Colorado Music Festival, and the Colorado Bach Ensemble. His background covers a wide range of musical styles and repertoire from jazz to rock and beyond. In addition to performing, he is interested in teaching and is Instructor of Double Bass at Metro State University of Denver. David received his Masters in Double Bass Performance from the University of Colorado. When not performing he can be found running the trails and back roads around Boulder.

Updated 2026

Ann Marie Morgan

earned degrees in violoncello performance and Spanish. Playing open strings on a bass viola da gamba was love at first sound. 

Her journey as a violist da gamba has taken her to foreign lands including Canada, the Czech Republic, Turkey, and Germany. Live performances with major symphony orchestras (Cleveland, Minnesota, Philadelphia) and tours with Olde Friends, Apollo’s Fire, and Les Violons du Roy have been a significant part of her career. Some of her favorite recordings, among twenty, include Among Rosebuds (with William Simms), The Soulful Bach and Telemann (Olde Friends), JS Bach Flute Sonatas and the Sonata from Musical Offering (Joshua Smith, Jory Vinikour and Allison Nyquist), and A Painted Tale (Nicholas Phan). 

Ms. Morgan received an Artist Diploma in viola da gamba and baroque cello from Oberlin College under the tutelage of Catharina Meints Caldwell. She served on the Early Music Faculties of the Peabody Conservatory and the Interlochen Center for the Arts as well as interim director of the CU Early Music Ensemble and the Collegium Musicum at Regis University. The Baltimore Sun wrote of her “beguiling musicality” in live performance, and H&B Recordings Direct cited, “Before hearing Ann Marie Morgan, I would not have believed that so pure a tone could be drawn from a viola da gamba; it is straight from heaven.”

In the Front Range, Ms. Morgan has performed on viola da gamba and baroque cello with the Colorado Bach Ensemble, the Boulder Bach Festival, Baroque Chamber Orchestra of Colorado, the Colorado Symphony, Seicento Baroque Ensemble, Sounds of Lyons, and on faculty recitals at CU Boulder College of Music. She will serve as a judge in the preliminary round of the 2026 Blakeman Gerber Indianapolis International Baroque Competition. As the founder of The Morgan Studio in Broomfield, she welcomes both amateurs and highly skilled professional artists to study there with her. 

Updated 2026

Willow Stracuzzi

is a cellist and gambist based in Bloomington, Indiana. She performs regularly on the various sizes of viola da gamba with Concentus, an ensemble within the Jacobs School of music specializing in choral and chamber music in the Medieval, Renaissance, and Baroque eras. In addition to performance, Willow also enjoys teaching viola da gamba in group classes to young students at the Project School in Bloomington. 

Her previous performance experience includes two years with Case Western Reserve University’s Baroque Orchestra and Baroque Chamber ensembles, with an appearance by the Baroque Chamber Ensembles at Boston Early Music Festival in 2024. 

Willow’s principal mentors in historical performance include Mary Springfels, Jaap ter Linden, Julie Andrijeski, and Joanna Blendulf. She is currently in her fourth year at the Jacobs School of Music, pursuing a Bachelor of Music in cello performance with a minor in historical performance practice.

Updated 2026

Jon Wasserman

is a Polish New Yorker based in Madrid—a multi-instrumentalist, singer, and specialist in historical plucked-string instruments. His work brings together performance, research, and the exploration of musical traditions across cultures, with a particular focus on Renaissance and Baroque music, diaspora, and the relationship between voice and plucked strings.

Jon holds degrees in Classical Guitar and Ethnomusicology, and a Master’s in Historical Plucked String Instruments from the Jacobs School of Music at Indiana University. He continued his studies with an Artist Diploma at the Escola Superior de Música de Catalunya and completed a Master’s in Spanish Music at the Royal Conservatory of Music in Madrid. His principal mentors have included renowned lutenists such as Nigel North and Xavier Díaz Latorre.

As a soloist, Jon has toured across the United States, Canada, and Europe, performing his program Amores Rojos, centered around the tradition of the self-accompanied singer and featuring his voice alongside a variety of historical plucked-string instruments. He is also the founder and artistic director of The Spanish Consort, an ensemble dedicated to exploring the music of the Hispanic diaspora.

Jon is active as both a performer and collaborator, working with musicians and ensembles throughout Europe and the Americas. His other projects include the Sarvarian & Wasserman Duo, Crocus Ensemble, and Al Tayr, as well as work with ensembles including Cantoria, Eduardo Paniagua, Capella Ministrers, Meridionales, Ensemble Lipzodes, Colorado Baroque Orchestra, Las Aves, Opera Omnia, Delirivm Música, and Sound Salon Seattle.

His discography spans early music, traditional music, and contemporary projects, including Tonos Humanos (2022) with Isanta & Wasserman, the EP Más Allá de Hispania (2023) with The Spanish Consort, Corelli After Schickhart (2024) with Serendipia Ensemble, and El Viaje de Abendino (2026) with Al Tayr Ensemble. His recent single releases also include In Darkness Let Me Dwell (2026) as a soloist and The Caravan of Exile (2026) with Duo Sarvarian & Wasserman.

Outside of early music, Jon also occasionally wanders into the world of math rock, where the guitars are electric, the time signatures are questionable, and nobody is quite sure where the beat went. He recorded with Giraffe House on the 2018 album Folding Chair Fathers, released three singles with Barekhu in 2024, and has also made solo recordings including Flat Rock (2019), Take a Walk with Me (2021), and Paolo (2026). 

A versatile multi-instrumentalist, Jon moves between historical and contemporary musical worlds, collaborating with artists across early, traditional, contemporary, and world music. Whether performing as a soloist, working within an ensemble, or exploring new sounds through math rock and other contemporary projects, his work is united by a fascination with plucked strings, voice, and the connections between musical cultures.

His performances, collaborations, and musical projects can be followed on Instagram at @jonplucksthings.

Updated 2026

Elisa Wicks

is the founder and artistic director of Parish House Baroque, and director of the Collegium Musicum at Colorado College. She also holds the position of Principal Second Violin in the Chamber Orchestra of the Springs and is a founding member of The Plein Aire Chamber Ensemble. In demand as a soloist and a chamber musician, she performs on both baroque and modern violin, and has appeared with the Portland Baroque Orchestra, Amherst Early Music Festival Orchestra (concertmaster), Chatham Baroque, the Baroque Chamber Orchestra of Colorado, Seicento Baroque Ensemble, and Musikantan Montana. She can also be heard performing regularly with the Colorado Springs Philharmonic.

Teaching is also a passion for Elisa; she teaches baroque and modern violin at Colorado College and maintains a private Suzuki studio. Elisa enjoys spending time with her husband and three sons, running, riding and cooking. She plays violins made by Hiroshi Iizuka, 1990,  and Johan Gottlob Ficker, 1793.

Updated 2026

MinTze Wu

is a violinist of many passions, and a visionary with illuminating artistry. A native of Taiwan and deeply rooted in the richness of chamber music, MinTze expands from the tradition and explores new possibilities of experiencing music as a new narrative form of performing art. Infused with spirit, precision, and soulfulness, MinTze founded Sounds of Lyons in 2009 and BenFeng Music Productions in 2013, and played the role as producer and artistic director to this day. Her signature work such as Death of the Pugilist, The Poet Show, Turn of the Screw, and Kreutzer has been produced on national stages of Taiwan and brought to US as well. She steps in as the Executive & Artistic Director of VOICES in 2022, and continues discovering the layers of humanities within us and our community through her work as an artist. 

Updated 2026